Admiration and isolation Celebration

The jahangirera Without drawing, drawing and color display to view the nature of the cosmos - as well as a close reading of the statement of admiration is a phurasata. This book looks at the artist citracarcara fifty decades, we can say that out loud with bright colors parbanake of agricultural udyapanera ciniye easily gives his work a long practice. Basic labor rights, such as farmers and fishermen protaganista the main character of his work. The master artists like Zainul, Kamrul and Sultan silpajagatera the bicaranasila caritrerao but krsakasreni. The master artists of our farmers occurred in the presence of - tatparyasameta. Farmers gramabanlara Sultan Zainul or groundwater - the scene did not consider saundaryabardhaka upadanarupe. A feudal and semi-feudal system under the farmer's existence as indigenous, and sharing the lead in the fight for the krsakasrenira promoting political bayanera outside jahangirera farmers and fishermen. Sultan of farmers and farmland is implemented in production - in terms of political realities of the lower class. This category of social reality that we live in Farmers fight we fight, when the farmer has got jahangirera canvas, but then the farmer is portrayed as rupamugdha of legendary artists.
Silpangana Gallery until May 1 to 7, that is the main subject of this exhibition is the activity of the working class people of different active nadilagna moment. Crop harvest or cut the ties back home at the moment, or for the fishermen fishing or preparing to fish pherighate rural people waiting in queue to look at this shirt has appeared in exhibitions. Most of the work is the artist drawing with ink, water color, but there are some. The audience in the last quarter of the nineteenth century jahangirera pyarisabhittika impresanista artists will remind you. Spontaneous drawing style of the artist, song, sambedanaya interested in making a response. The thorough implementation of the dramatic moment of rare or uncommon items rather than the rural nadimatrka krsijibanera atapaure moments caused by reaction with the light output citranucitrana notable feature of this exhibition.
The key aspect of the art of the artist - the name of the exhibition from the wall can be realized. Content does not matter what media presentation - the artists' consciousness occupies. Majhi said the boat, boat ascending, the arrow head of the burden of running and walking - all of this made uparatala Surface or any other aspect was that he ruparopa. It is named after the title of the exhibition at the karanakausalagata aspect of these have concluded that a dominant pattern. I feel no one appeared to be the work of the artist. The exhibition named bodhatarita jahangirera not consist of karanakausalera.
This show has been drawing even in the flood and bhananerao. Flood plight, we breakdown the beauty of every artist - to meet the vehicle became thirsty. Sujala - suphala Shyamala golden grain of common sense abahamanatara the grand narrative of the artist bayanera Jahangir. His work impersonal society - the individual is absent oneself from the reality of the economy consists of a kalpabastaba good. As a result, the historical character of the fishermen and farmers - are disappearing features. The prison became a target of the artists romantic glance, these farmers - who are happy and beautiful. As a result, we have an immense admiration for the artist cahanite. The separation of the source of any mugdhatarai. Industry with the contents of the artist with the jahangirera 'abahamana gramabanla' or middle class citizen with a memorable trace of the isolation work in the exhibition visitors can read, or beauty question krsijibanera barsapanjisobhita the memorial that can udyapanao.